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John Prine R.I.P.

I sit at the computer attempting to describe feelings, views, thoughts, but nothing seems important right now, and yet everything is. Of course, I send my wishes for good health to anyone and everyone. I feel for the suffering going on around the world. The situation seems surreal; a horror story that’s literally life and death. I don’t need to tell you because you already know; we’re all in the same boat.

 

Hear Here – Part One

Burning Streets

Joe Strummer and The Mascaleros (from the album Streetcore, 2003)

I’m a long-time Joe Strummer fan; he writes and arranges with a sense of freedom and fun, and in the studio he’s fearless and adventurous. Sonically, always interesting.

AMADINE

Bombino (from the album Nomad, 2013)

Radio Paradise introduced me to Bombino and I was immediately drawn to the exciting bass line of this song.

 

Hear Here – Part Two

WORLD TURNING

Monte Montgomery (from the album Live at the Caravan of Dreams, 2012)

I’ve always loved the Fleetwood Mac original, but this live performance is in a class of its own. For a live recording, it’s superb––the drum solo in particular. The musicianship all round is impressive, really great bass player. Monte has amazing chops and I love his voice.

 

Hear Here – Part Three

SCARECROW

Rupert Hine/David MacIver (from the album Pick Up A Bone, 1971)

I met Rupert Hine and David MacIver in the mid 60s. They were sort of modelled on Simon and Garfunkel, I was in Episode Six. Years later, we hooked up again, this time I was in DP. They were still writing interesting acoustic songs, so when Purple records happened, I resolved to record them.

 

Hear Here – Part Five

QUEEN BEE

Taj Mahal (from the album Señor Blues, 1997)

Taj Mahal has carved an amazing place for himself. He can make the simplest of songs unforgettable, with soul, feel, and phrasing.

CAROLAN’S CONCERTO

The Chieftains (from the album The Celtic Harp, 1992)

The traditional intricacies of Irish music are a revelation, especially when played by The Chieftains. This tune was written by Turlough O’Carolan in the 17th century.